releases
-
dryades
Been awhile… Made a release: Some of the sounds used are re-purposed sounds made awhile back. Other sources are (layered) guitar, processed through (variants of) an Audiomulch patch, from the same timeframe. Lots of retrograde in the Air. Seems appropriate to have appropriated these past sounds, just about now. Also ironic: It was known, then, Continue reading
-
new release: the chaldean social club
In Mid-November, five titles occurred to me. Just the titles. From then on until mid-January, I made tracks to match the names. The result: About 20 core sounds involved. More than a few of them remixed/repurposed from pre-existing material. Released under Creative Commons license (non-commercial/attribution/share-alike). Continue reading
-
New Bandcamp Release: Ghosted
Finally had a chance for final mastering and upload of this, my second bandcamp release: This is best described as a self-remix piece. The core sound materials were produced in the period 2001-2004. Some of these were fully-formed pieces in their own right (e.g. a version of comes pale horse, from 2002; and an unused Continue reading
-
Upload: Three Pure(ish) Tone Studies in Audiomulch
I’ve been playing around with Audiomulch for a couple of months now, to the point where it has managed to replace my aging copy of Ableton Live (v5.2.2… get off my lawn!!!) as my go-to environment for electronic noodling. I like the ‘level’ Audiomulch inhabits– it’s not the ubiquitous high-level, strip-chart style DAW– it’s not Continue reading
-
update (release notes, basically)
Haven’t had much time to write on here. I had to skip last week’s Junto, but managed this week’s (even with Arisia over the weekend). This week’s exercise (disquiet0055-twoscrews) had us rework two pieces (Do and Re) from Nils Frahm’s Screws: Done with Ableton Live (yes, still stuck back in 5.2.2) and Audacity. Project details Continue reading
no peanuts in church... 